Plastology 2100

By the year 2100, the former scientific disciplines of ecology, biology, geology, archaeology, and climate science have all merged into one discipline: plastology - the science and study of plastagems of the past, their uses and sites of contact, to better understand the plastic planet's climatic and ecological challenges. In fact, plastology is the only discipline in the future where malnutrition and a survival-first “lifestyle” mean that even the arts are no longer practiced. This is a time when frequent catastrophic weather events have caused people to live predominantly underground, making it difficult to study the ecology of the plastic planet. Because of this, a certain number of plastologists must travel through time to conduct their research.

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Plastic Bag Poncho. Plastologist’s First Climate Strike. Live performance at Climate March in Portland, Maine. Sept. 2019.

Plastic Bag Poncho. Plastologist’s First Climate Strike. Live performance at Climate March in Portland, Maine. Sept. 2019.

Dr. Greenfield by Matthew Ferral

Dr. Greenfield by Matthew Ferral

Time v. The Psyche. Dr. Greenfield reads a poem about time to a crowd at Mechanics’ Hall in Portland, Maine. Oct. 2019.

Time v. The Psyche. Dr. Greenfield reads a poem about time to a crowd at Mechanics’ Hall in Portland, Maine. Oct. 2019.

Dr. Katherine Greenfield is a time-traveling plastologist from The Real Institute of Plastological Sciences [R.I.P.S] in the year 2100. Dr. Greenfield's 2019 mission was to objectively study plastagem uses and culture, but she has lost contact with R.I.P.S. and her plastime machine is broken from her journey. However, her findings are now leading to some startling conclusions about the role that corporations and consumers played in creating the conditions of the future from whence she came. On the other hand, she finds herself with more freedom to develop an activist and artistic practice as she begins to stray from her original mission. Utilizing social interventionist tactics, Dr. Greenfield encourages people to develop an awareness of the presence of the future and how decisions we make in the present have real consequences for people and planet in the coming years.

Plastology 2100 is an ongoing interactive work that uses persona, humor, video, participation and public performance as methodologies for addressing climate malaise. There are many avenues through which a viewer or participant can encounter the work including live performances in public spaces, Instagram posts and stories, as well as YouTube videos or gallery installations of video works. It is a constantly evolving project wherein science fiction, time-travel, eco-feminism, eco-futurism, childhood nostalgia, and dark humor coalesce via multiple mediums: performance, video, photography, social media, writing, and a research-based methodology.

With the aim to inspire conversation and action on plastic pollution, climate change, and the modern human psychology in relation to ecological systems, Dr. Greenfield invites people to imagine better possible futures and reassess our individual and collective roles within them. Through representing and questioning systems of consumerism, waste, and digital culture in a thoughtful and humorous manner, Karolyn Greenstreet is currently developing her theory of Bathetic Futurism - a productive cultural practice for the psychological digestion of difficult realities that lie ahead for human civilization.

February 2019 - present

Some Common Street Findings.  Live performance at the Apohadion Theatre in Portland. Part of “Personas” by Wet Velvet performance collective.  Aug. 2019.

Some Common Street Findings. Live performance at the Apohadion Theatre in Portland. Part of “Personas” by Wet Velvet performance collective. Aug. 2019.

Poster for Personas by Wet Velvet performance collective.

Poster for Personas by Wet Velvet performance collective.

Plastawindow.  Plastologist findings are posted to @plastolgy2100.  Photo by the artist.

Plastawindow. Plastologist findings are posted to @plastolgy2100. Photo by the artist.

Plastology 2100: Episode 1.  Video installation in Our Changing World at The Cordial Eye gallery in Hyannis, MA.  Sept. 2019.

Plastology 2100: Episode 1. Video installation in Our Changing World at The Cordial Eye gallery in Hyannis, MA. Sept. 2019.

Plastagem Piles at EcoMaine.  Findings are posted to @plastolgy2100. Photo by the artist.

Plastagem Piles at EcoMaine. Findings are posted to @plastolgy2100. Photo by the artist.

Porkgems. Hannaford Supermarkets.  Photo by the artist.  Findings are posted to @plastolgy2100.

Porkgems. Hannaford Supermarkets. Photo by the artist. Findings are posted to @plastolgy2100.

Imagine Better Possible Futures.  Collaborative painting performance at Sacred and Profane arts festival.  Oct. 2019.

Imagine Better Possible Futures. Collaborative painting performance at Sacred and Profane arts festival. Oct. 2019.

Enter the Eco Hut.  Participatory installation at Vermont College of Fine Arts Winter 2020 Residency.

Enter the Eco Hut. Participatory installation at Vermont College of Fine Arts Winter 2020 Residency.

Some Preliminary Findings.  Mixed Media Installation at Vermont College of Fine Arts Summer 2019 Residency.

Some Preliminary Findings. Mixed Media Installation at Vermont College of Fine Arts Summer 2019 Residency.

“T” is for Tree.  Mixed media on foam gem.  April 2020.

“T” is for Tree. Mixed media on foam gem. April 2020.

Plastime Machine.  Video still from Episode 1.  2019

Plastime Machine. Video still from Episode 1. 2019

Plastologist’s First Bath.  Video still from Episode 1.  2019.

Plastologist’s First Bath. Video still from Episode 1. 2019.

Foamgem from a Willard Beach clean-up.  Photo by the artist.

Foamgem from a Willard Beach clean-up. Photo by the artist.

Something Spooky.  Findings are posted to @plastology2100.

Something Spooky. Findings are posted to @plastology2100.

Just Put it All On.  Impromptu performance at SPACE gallery. March 2020.  Photo by Kelsey Halliday Johnson.

Just Put it All On. Impromptu performance at SPACE gallery. March 2020. Photo by Kelsey Halliday Johnson.

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